Forensic Fashion
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>Costume Studies
>>1565 Elizabethan gentleman
>>>rapier & dagger
Subject: nobleman, gentleman
Culture: Tudor English
Setting: late Tudor / Elizabethan period, England mid-late 16thc
Object: rapier and dagger



Royal Armouries Museum > Self Defence Gallery *
"Rapier  Possibly English, dated 1597
This rapier has a 'swept' hilt of iron and is decorated
 with chiselled ornament including the date 1597
Its long blade, of lozenge section, is engraved near the hilt
 with the maker's name, Andrea Ferara."
*
event photos
Museum Replicas #501471 *​
event photos <
* Royal Armouries Museum > Self Defence Gallery
"Left-hand dagger  Probably English, about 1580
  This dagger was made to be used in conjunction with a rapier.
  Its hilt is of plain iron.  One face of its two-edged, hollow-ground
 blade bears the remains of a maker's mark inlaid in copper." ...​








* Royal Armouries Museum > Self Defence Gallery
"Rapier  Possibly English, about 1590  With a 'swept' hilt of chiselled iron.  
Preserved with the rapier are a byknife for domestic use, 
fragments of the scabbard, the lower scabbard-mount (chape) 
and two buckles and a fragment of the sword-belt." ...
​Windlass Steelcrafts *
event photos <
* Royal Armouries Museum > Self Defence Gallery
"Rapier  English, late 16th century  This rapier has a 'swept' hilt of iron.
It retains its original wire-bound grip.  The blade, of hexagonal cross-section,
is inscribed near the hilt on each side with its place of manufacture in 
Solingen, Germany." ...









* Royal Armouries Museum > Make/Believe
"Theatrical rapier and dagger made for Henry Marshall  
These prop weapons are more robust and heavier than their actual 16th century counterparts.  
This reflects their rigorous usage.  The weapons are blunted and their tips are slightly rounded.  
To draw the viewers' attention away from these differences, professional fights that keep the weapons moving.  
Theatrical combat is safe and disciplined and can include elements of historical accuracy.  
Probably made by Lewis Shaw, Baltimore, USA, 1960s" ...