Forensic Fashion
(c) 2006-present R. Macaraeg

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ForensicFashion.com

>Costume Studies
>>1560 Venetian bravo
>>>context
>>>>primary sources
Subjectbravo  bandit/mercenary
Culture: Venetian 
Setting: Venetian republic 16th-17thc
​Kimbell Art Museum *
​"The Cardsharps, c. 1596–97  Caravaggio (Michelangelo Merisi), Italian  Caravaggio was one of the pivotal figures in the history of Western art.
 In his short lifetime, he created a theatrical style that was as shocking to some as it was new, inspiring others to probe their subject matter for the drama of psychological relationships.  Apprenticed in Milan, Caravaggio came to Rome about 1595.  There his early masterpiece The Cardsharps came to the attention of the influential Cardinal Francesco Maria del Monte, who not only purchased it but also offered the artist quarters in his palace.  Caravaggio was thus introduced to the elite stratum of Roman ecclesiastical society,
 which soon gave him his first significant opportunity to work on a large scale and for a public forum.
"In The Cardsharps, the players are engaged in a game of primero, a forerunner of poker.  Engrossed in his cards at left is the dupe, unaware that the older cardsharp signals his accomplice with a raised, gloved hand (the fingertips exposed, better to feel marked cards).  At right, the young cheat looks expectantly toward the boy and reaches behind his back to pull a hidden card from his breeches.  Caravaggio has treated this subject not as a caricature of vice but in a novelistic way, in which the interaction of gesture and glance evokes the drama of deception and lost innocence in the most human of terms.  The Cardsharps spawned countless paintings on related themes by artists throughout Europe—not the least of which was Georges de La Tour’s Cheat with the Ace of Clubs in the Kimbell.  The Cardsharps was stamped on the back with the seal of Cardinal del Monte and inventoried among his possessions after his death in 1627.  Its location had been unknown for some ninety years when it was rediscovered in 1987 in a European private collection."
* National Gallery of Art > West Building
"The Crucifixion  tempera and oil (?) on panel, c. 1504/1505
LUCA SIGNORELLI  Umbrian, 1445/1450-1523"
National Gallery of Art > West Building *
"Aeneas and Achates on the Lybian Coast  oil on canvas, c. 1520
DOSSO DOSSI  Ferrarese, active 1512-1542"




* National Gallery of Art > West Building
​"Vincenzo Capello  oil on canvas, probably c. 1540
TITIAN  Venetian, c. 1490-1576" ...


National Gallery of Art > West Building *
"Portrait of a Gentleman  oil on panel transferred to canvas, c. 1520
BARTOLOMEO VENETO  Lombard-Venetian, active 1502-1531" ...


​* National Gallery of Art > West Building
"A Concert  oil on canvas, c.1518-1520
GIOVANNI CARIANI  Venetian, 1485/1490-1547 or after" ...